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Happy Birthday Cesare Borgia!

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Mark Ryder as Cesare

It seems that many consider today to be the birthday of the great Cesare Borgia. And so, I thought I would do a very little post today just to say...

Happy Birthday Cesare! 

Whilst his exact date of birth is not known, only that it is at some point between September 1475 and April 1476, today is as good a day as any to celebrate. Tonight, I shall be raising a glass of vino rosso in his honour, and watching an episode of Borgia!

Check out that super pissed off look.

For more information on Cesare's early life, please have a look at this post.


Why Do I Love History...?

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I am quite often asked "Why do you like history so much?", and I end up launching into a twenty five minute rant about the importance of history and all my very favourite characters throughout the ages. But I've never really sat down and thought about it properly until now. So this post is probably going to be entirely useless and have no purpose other than allowing me to rant and ramble away about nothing in particular. So please feel free to ignore this and get on with the rest of your day.

So how did it all begin? The answer is really very simple. My aunt introduced me to Ancient Egypt, and brought me a special set of hieroglyphic stamps. They were awesome, and I had loads of fun printing out people's names as they would (or very likely wouldn't, it was a kids play set after all) have been in hieroglyphics. At any rate, it made me want more. So I began to take books out of the library, and my aunt brought me loads of books about life in Ancient Egypt. Very simply, I was in love with the era. I clearly remember the first time I ever saw the Rosetta Stone at the British Museum. I was in absolute awe of the thing, this massive slab that helped us to understand just how to read Ancient Egyptian hieroglyphics. Now, I always make a point to visit it if I'm in London and spend a few minutes just gazing at this amazing piece of history.


It was only a matter of time after then that I would begin to become interested in other eras of history. I absolutely adored history at school, and it was always my favourite subject. No word of a lie though, I struggled with it at A-Level. No idea why, probably because I was so damned fed up of the Tudors that I just lost interest. At any rate, it was during my A-Levels that I began to develop a huge interest in the Seventeenth Century and particularly the English Civil War. We studied the reign of Charles I, and how he ended up making a massive mess of things and screwing himself over. Many in the class hated ole Charlie. I however found his derpiness adorable. And I fell completely head over heels in love.


Would you believe when I saw this portrait of Charlie boy at Hampton Court, I burst into tears? Yes, I am that much of a Charlie fangirl. The staff looked at me as if I was crazy. I was even worse in front of the massive portrait of Charles II. Honestly, a gross sobbing mess doesn't even begin to cover it. 

My interest in the Seventeenth Century filtered through to University. I toddled off from my cosy little sixth form in Wiltshire, all the way to Winchester where I began a degree in History and Archaeology. After my first year, I dropped history (which I now believe is the biggest mistake I ever made) and studied single honours archaeology. My final year dissertation ended up being on the landscape archaeology of a lesser known English Civil War battlefield. Cheriton, in fact. This little village and its surrounding fields now have a special place in my heart and I visit as often as I am able, just to walk around the fields in which the Royalists and Parliamentarians fought on 29th March 1644.


To many of you, that will look just like a field. To me, it is where men fought and died for what they believed in. Those fields have a very special place in my heart. Particularly as my work on them earned me an award for the best Final Year Project, which I was given at graduation in 2009 (God, that is SO long ago. I feel so OLD now!)

When I graduated Uni, I was lucky enough to gain a contract with my local archaeology unit. That was awesome, probably the best job I have ever had. At any rate, the contract ended and I was unable to get work with any other units. It was then that I realised I should probably have gone down the history route. I began to get back into my history books. I began reading more around the ECW and expanded beyond the usual Tudor crap that I had on my shelf. I had always been somewhat interested in the Renaissance, but it was then that I really started reading about it and my interest in and around the history of the Roman Catholic grew, and my obsession with the Borgia family grew beyond sensible bounds. I have spoken enough of my love of Cesare Borgia for you all to know about it, but there is something about that era that just speaks to me. I was a mess in front of the Charlie portrait? You should have seen me in the Borgia apartments in the Vatican. I have never been such a mess in my life. Just all that passion and adoration pouring out in what I can only call "liquid feels". The same happened when I saw Cesare's sword scabbard at the V&A. Nothing can really describe the passion I have for that family. Except that it has gotten so bad I now have Cesare's motto tattooed on my arm. Now THAT is love...


My love of history has taken me to some amazing places over the past few years. From places right on my doorstep, to the heat of Rome. And I am planning on going to many more places to expand my love, to expand my learning...








And there we have it. A bit of a fangirly post all about where my love of history came from.

My apologies...

I will let you get back to your day now...........








FYI

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Just a quick FYI. As has always been the policy here on LBM - any hateful comments will be removed without warning. I have better things to do with my time than deal with hate, so please if you have nothing better to say than something constructive then don't say a thing.

Cesare Borgia's Marriage to Charlotte D'Albret

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Charlotte in "Borgia"

After Cesare Borgia finally got rid of his Cardinal's robes, it was down to him to continue on the Borgia dynasty. Since the death of his brother Juan in 1497, there was no male descended destined to carry on the Borgia name and had Cesare remained in the church then there would be no chance of the name continuing. And so, with that in mind, Cesare Borgia left Rome in October 1498 bound for France. His own mission was clear. He wanted to marry Carlotta of Aragon,  and the new French King, Louis XII had agreed to support their marriage wholeheartedly as long as Cesare helped get him a divorce from his wife, Queen Anne. 

On Fridat 17th August 1498, Cesare Borgia formally announced his decision to leave the College of Cardinal's. By 21st August, he had his way. Pope Alexander had demanded that the cardinal's voted in Cesare's favour. Indeed on the very day of the first consistory in which Cesare announced his decision, the French envoy had arrived with letters patent stating that he now had the right to call himself the Duc de Valentinois. The famous "Valentino" had arrived. 

In the months leading up to his departure for France in October 1498, Cesare spent money wildly. He was to determined to impress the French people upon arrival and made sure he would be magnificently attired at all times. This would soon change after spending time there, and Cesare would end up being the black clad dressed young man that would come to be epitomised throughout history. Not only that but he worked on his physical preparation too. He was after all to become a soldier. His preparations included bullfighting on horseback, a feat which amazed contemporary Italians at the time. Indeed it was once reported by Cattaneo that on 18th August 1498 Cesare killed 8 bulls in one sitting. There were times however when his physical prowess failed him, with one occasion ending up with him being knocked out when kicked in the ribs, head and chest after trying to jump onto the back of a mule. At the same time, Cesare was suffering with serious worries over his appearance. The early physical signs of secondary syphilis were beginning to manifest upon his face, which was disastrous for a man who was so intent on stunning the French court with his dashing good looks. It should be noted that Cesare was just twenty three years old at this point, so it must have been devastating for him. He couldn't have known that this would clear itself up within two or three months  and would have been more worried about his matrimonial prospects being affected due to his handsome face being blotched by syphilis. And whilst he showed outward confidence, he revealed his insecurities at the last moment by continuing to sign himself as Cardinal Valentinus. A precaution in case Carlotta refused him to the unsightly rash upon his face?

On 1st October 1498, Cesare took formal leave of his father and travelled to Ostia where he boarded a ship for France. And upon the day he left Rome, the diarist Cattaneo wrote:

"The ruin of Italy is confirmed...given the plans which father and son have made: but many believe the Holy Spirit has no part in them".

Cesare arrived in France in late October, departing from the shrine of Marseilles and making his way to Avignon where he met up with Giuliano della Roverre. This was a man who had always been a thorn in Cesare's side, and whilst seemingly working with him in friendship during Cesare's months in France was actually working in league with Ludovico 'Il Moro' Sforza. Della Roverre met Cesare two miles outside the city and rode into the city seemingly in complete amity. Yet they held off moving to the French court and Cesare grew restless, very likely suspicious of Della Roverre and waiting for news from Rome that would allow him to present Louis with the dispensation to allow his marriage to be dissolved. He certainly wouldn't be welcome at the French court without it. He slowly made his way northward from Avignon slowly and visited Valence, the capital of his new duchy and on 7th November made a solemn entry into Lyon. But the French were unimpressed with his ostentatiousness and people found his manner brusk and rude. When the King's envoy tried to present him with the Order of St Michael, Cesare brushed him aside and stated that he would only accept it from the King himself. 

When news of the King's divorce arrived, it was arranged that Cesare should meet the King at Chinon and on 17th December Cesare arrived in the local area. The day after Cesare's arrival, the King went hunting and met Cesare two miles outside of town. And later that day, Cesare entered the town and Castle with the King. It was the moment he had been waiting for. He could now impress the French Court and get his hands on Carlotta of Aragon. 

Cesare meeting Carlotta of Aragon in "Borgia"

The court did not stay at Chinon for long. They moved from Chinon to Blois and elsewhere. It was during his time with the moving court that he met Carlotta of Aragon for the first time. She was a lady in waiting to Queen Anne, and the meeting with Cesare can't have put him in very high spirits. She was a determined young lady and detested the idea of marrying Cesare and openly declared to the court that she had no intention of becoming known as "La Cardinala". But whilst he failed to win over his intended bride, he won over the French court and the King considered him an asset to the court. Indeed, Louis tried to convince Carlotta to marry Cesare but she remained steadfast, saying she would not marry Cesare Borgia unless her father willed it. 

When the Neopolitan envoy arrived and the issue of the marriage was pressed, the envoy replied:

"To a bastard son of the Pope, the King not only would not give his legitimate daughter, but not even a bastard child"

The King made one last effort to persuade Carlotta to marry Cesare he invited her to dine alone with him. His efforts failed and Cesare talked of leaving France to return to Rome, although this could potentially have been a way of placing pressure upon the King to find him a new bride. And find him a new bride the King did. In the early months of 1499, Louis suggested Charlotte D'Albret to Cesare and indeed Cesare wrote that she 'pleased him' greatly. He had every right to be pleased as she was said to be incredibly beautiful. Charlotte's own feelings on the matter are not recorded, but she wouldn't have had much choice in the matter after considering pressure was placed upon her by both her Father and the King. 

Charlotte in "Borgia"

Negotiations went on for over 6 weeks. Charlotte's father was determined to get as much out of the marriage as possible and demanded to see the dispensation that allowed Cesare to marry as well at the 100,00 livres promised as a dowry to be paid in ducats. By the end of April 1499 negotiations were brought to a successful end, and on 10th May the agreement was signed in front of both the King and Queen, with the King formally giving his consent to the marriage.

Cesare and Charlotte in "Borgia"

Two days later, Cesare and Charlotte were married in the Chapel of the Queen's apartments at Blois. It was followed by a huge wedding breakfast in the fields surrounding the chateau. The marriage was consummated that afternoon, and again in the afternoon. As was usual for the time there was no privacy when this happened. According to reports from the time, Charlotte's ladies spied on them through the keyhole of the bedroom door and reported a rather embarrassing incident for poor Cesare. Robert de la Marck wrote in his diary:

"To tell you of the Duke of Valentinois' wedding night, he asked the apothecary for some pills to pleasure his lady, from whom he received a bad turn for, instead of giving him what he asked for, he gave him laxative pills, to such an effect that he never ceased going to the privy the whole night, as the ladies reported in the morning"

But between running to the toilet, he did his duty and it was reported to his father in a letter that the couple consummated their marriage EIGHT times. They spent their honeymoon with the court at Blois and Cesare lavished gifts upon Charlotte. All of these gifts had been intended for Carlotta, 

Yet their time together was coming to an end. Events were taking place in Italy that needed taking care of, and Cesare wanted to hurry up with his soldierly exploits. Cesare was indeed due to accompany Louis to Italy commanding a squadron of heavy cavalry, with plans to attack Milan. At the end of July he left his wife and made to return to Italy.

Charlotte never saw her husband again. She did however bear him an heir, a little girl named Louise. And when Charlotte learned of Cesare's death in 1507 she spend the remainder of her life in mourning. Did she love him? Personally, I believe that her "love" was simply infatuation. She knew him for such a little time that he must have seemed, to use a modern comparison, like a rockstar to her. And did he return that? I do not believe he loved her, as he never made the effort to go back to her and honestly? Cesare Borgia married Charlotte D'Albret more for political reasons and to help along the relations between France and Rome. After all, if he loved her, surely he would have made more of an effort to see her once he learned she was pregnant? His efforts (there were a few) to try and persuade her were in vain. The few letters he sent to persuade her to Italy fell on deaf ears, and the King even tried to convince her. Yet she herself stayed in France, having heard stories of his exploits in Italy and not wanting to go to her husband. She died in 1514 having only spent a few months in her husband's presence, probably preferring to remember the handsome young man she had known back in 1499 rather than the impious warrior she had heard stories of. At the age of 32, she died at the Chaeau de la Motte Feuilly having spent seven years in heavy mourning for the memory of her husband.

Further Reading

Cesare Borgia: His Life & Times - Sarah Bradford
The Borgias And Their Enemies - Christopher Hibbert.
The Borgias; History's Most Notorious Dynasty - Mary Hollingsworth.

In Memory Of Hasan - Art Historian Extraordinaire and Fantastic Friend.

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It is with a heavy heart that I write today's post. I came online this morning only to find out that my dear friend Hasan Niyazi, author of the fantastic Renaissance and Art History blog "Three Pipe Problem" has sadly passed away. This was a huge shock, as I was only talking with him on twitter last week about my plans for my week off and he was looking forward to seeing photographs of the places I had planned to visit.

Hasan's blog was one of the first I found when I started LBM, and we connected through our love of Renaissance history and our "mythbusting" over The Borgias. He was a delight to speak to, and his research spoke volumes of his passion and love for the Renaissance and all things art history. Truth be told, Hasan was, and still is, a complete inspiration to me and I shall continue to use his blog and his work not only for my own research but to keep his memory alive. It was clear from the moment that I first started talking to Hasan that his passion lay in the Renaissance, and I remember him commenting on my photo of me next to Raphael's tomb. We often discussed Italian art, and I was always in awe over his love and passion for Raphael. His story of how his tour guide in Rome let him in the Pantheon on his own to save the rest of the group his flailing always made me crack up. 

Hasan, my dear friend. You will be sorely missed not only by me but by your friends and readers. My heart goes out to your family. I wish we had been able to speak more, although when we did it was always a pleasure. Thank you for inspiring me to keep this blog going, thank you for being such a good friend. I will miss you and will always remember you.

I may never have had the chance to meet Hasan, and despite the fact that we lived half a world apart I considered him (and still do) an amazing friend, a colleague and an inspiration.

May you rest in peace, my friend. Next time I'm in Italy? The trip shall be dedicated to you.

We Will Remember Them

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With proud thanksgiving, a mother for her children,
England mourns for her dead across the sea.
Flesh of her flesh they were, spirit of her spirit,
Fallen in the cause of the free.

Solemn the drums thrill; Death august and royal
Sings sorrow up into immortal spheres,
There is music in the midst of desolation
And a glory that shines upon our tears.

They went with songs to the battle, they were young,
Straight of limb, true of eye, steady and aglow.
They were staunch to the end against odds uncounted;
They fell with their faces to the foe.


They shall grow not old, as we that are left grow old:
Age shall not weary them, nor the years condemn.
At the going down of the sun and in the morning
We will remember them.


They mingle not with their laughing comrades again;
They sit no more at familiar tables of home;
They have no lot in our labour of the day-time;
They sleep beyond England's foam.

But where our desires are and our hopes profound,
Felt as a well-spring that is hidden from sight,
To the innermost heart of their own land they are known
As the stars are known to the Night;

As the stars that shall be bright when we are dust,
Moving in marches upon the heavenly plain;
As the stars that are starry in the time of our darkness,
To the end, to the end, they remain.


Here's to all those who lost their lives in past conflict, and recent conflict. To those who died protecting their country. On 11th November, at 11am 1918 the armistice was signed and ever since we have taken two minutes silence at 11am to remember the fallen of past and present conflict. I myself have had family fight in both world wars, as well as the recent Afghanistan conflict, so personally I believe that today should be a day of thought and reflection.

Thank you.

Les We Forget.

A Visit To Salisbury Cathedral

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It's taken me a bit of time to get this post done, and for that I apologise. I was going to write this when I got home last Monday, but given the news about my dear friend I am sure you can understand why I put it off. At any rate, last Monday (4th Nov), I took myself off for a morning in Salisbury. I have always loved Salisbury, and when I was younger I used to go to gigs at the arts centre there and the little pub named "The Winchester Gate". Of course, the history of the city is utterly fascinating, and I am in love with the cathedral.


So I hopped on a train and toddled off to Salisbury Cathedral. A building so full of history.

Briefly, the original cathedral was on the site of Old Sarum. I was planning on heading up there during my trip but couldn't really be bothered to walk the two miles through the city, or find a bus. Yes, I'm lazy. At any rate, there is a wonderful story that an archer stood upon Old Sarum and fired an arrow. Where the arrow landed it was decided the new cathedral would be built. The cathedral we see today was started in 1220, and the tower and spire were completed during the 1330's.

Random fact: If any of you have seen "Pillars of the Earth" you will recognise the front face. Simply, the cathedral in the show was based on Salisbury Cathedral.

Random fact No 2: David Oakes who plays William Hamleigh is from Salisbury, and his father works for Salisury cathedral.









Once I had rambled around the cathedral and visited the shop (I ALWAYS make sure I visit the shops in places like this, and picked up a Bernard Cornwell novel - he's my friend on Facebook. True story!) I made my over to the museum.

I was slightly disappointed to find that the archaeology sections were closed off due to a lot of work going on at the museum. However it was still nice to wander around this small museum. As I wandered around there were particular displays on dress throughout the years and as I wandered through that gallery? Christ, the dummies scared the hell out of me. There was also a display on ceramics. I had a wander through, paying particular attention to the older stuff i.e. the samian ware, as well as the medieval stuff. But as it got more modern I found myself growing bored and took myself for a wander elsewhere.

Little disappointed I didn't get to see the Amesbury archer...


This guy dates to the bronze age and was found near Stonehenge during a housing development. It's morbid, but I have a bit of a thing for human bones...

At any rate, I couldn't see him and a lot of the archaeological stuff. Still, the museum itself is a wonderful place and I recommend visiting. I brought a wonderful book from their shop on the archaeology of death and burial. Morbid reading, but incredibly interesting. 


In all, an interesting morning. A shame I couldn't stay longer, but I am planning on going back on my next day off to spend a whole day there looking back around the Cathedral, the museums in the close and heading up to Old Sarum. Keep your eyes peeled for further posts on Salisbury.

Quarter Of A Million!

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We've only gone and bloody done it!

A quarter of a million hapless souls have stumbled across this blog since I first started it back in August 2011. Honestly, I never ever thought I would get to such a massive milestone and without all of you? I wouldn't have made it this far.

A huge thank you to each and every one of my readers. You're all brilliant!

Here's to the next quarter of a million!

Merry Christmas!

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Just swinging in to wish all my followers and readers a very merry Christmas. I hope you are all having a wonderful time. Please don't mind the shortness of this post, I'm still getting to grips with the new tablet I'm posting it from.

I will be back properly over the next few days with more historical fun and games.

Dropping In Briefly To Say "Happy New Year"

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So. It's the end of the year and I thought I'd drop in and leave you all a little something.

It's been a tremendous year for Loyalty Binds Me, with lots of Renaissance ramblings, an interview from the lovely Isolda Dychauk and we even hit the quarter of a million page views mark! I know that I have been rather lax in posting things of late and it is one of my New Year's Resolutions to post more for you all!

I just wanted to thank each and every one of you for supporting LBM throughout 2013. Here's to an even better 2014.

Happy New Year, guys!

On This Day In History - Rodrigo Borgia Is Born

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Starting off the year as I mean to go on, I thought I'd drop in with a little "On This Day In History" post for you all.

On 1st January 1431, Rodrigo Borgia was born in Xatvia Spain. His birth name wasn't actually "Borgia" but "Lanzol", and only took his mother's surname in 1455 after the elevation of his maternal uncle to the Papacy (Calixtus III).

As we know, Rodrigo Borgia would go down in history as one of history's most depraved Popes (Alexander VI) and as the father of history's most infamous individuals; Cesare and Lucrezia Borgia. Was he that bad? No, not really. He was simply a man of his time and actually less depraved than many of his predecessors.

Happy birthday Rodrigo Borgia. I'll be writing a lot more about you in the coming months.

[Review] Blood & Beauty by Sarah Dunant

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"The more outrage the better. That way people will fear us while we are alive and never -ever- forget us when we are dead"

I think it's a well known fact amongst my readers that I am very picky when it comes to novels about the Borgia family. Given the research I have put into this family and the absolute awe I hold for Cesare - I say again, how many have his personal motto tattooed? - I tend to avoid historical fiction about the Renaissance and in particular the Borgia family. I blame this in part for the travesty that was Kologridis'"The Borgia Bride" and whilst I thoroughly enjoyed Jean Plaidy's novels about Lucrezia, I found them to be somewhat dry towards the end. So it was somewhat hesitantly that I picked up Dunant's latest offering.

And I have to say it was one of the best decisions I have ever made.

From the outset you can tell that Dunant has really put the effort into her research. As I read, I found myself slap bang in the middle of the Borgia apartments in Rome, in the Room of Mysteries with the Pope, with Cesare as he stood before the walls of Ravaldino. And whilst I am aware that this is a work of fiction, I couldn't have been more pleased to see the placing in there of actual historical events. More so the LACK of incest in there pleased me no end. You will all know how against that theory I am, and how I am a firm believer that Cesare and Lucrezia were close, that he loved his sister more than any woman he had ever met but that they never crossed the line. I found this was portrayed excellently in this novel with stolen glances, the odd lingering touch and one kiss that may have gone a bit too far. The awkwardness between the two siblings after that kiss just seeped from the words so I felt as if I felt as physically awkward as Lucrezia did. 

The characterisation of Cesare has to be one of the best that I have ever read. It is well known that Cesare Borgia was temperamental, or "famously bipolar" as I like to call him and this comes across wonderfully in Dunant's writing. From his overly inflated ego to his need from power, to his cold and calculating manner when plotting the downfall of those who had become useless to the family. There were moments when I sat there with a knot in my stomach, hearing Cesare's rants as if I were stood there in the very same room as him. I felt his need for power, his egotistical nature. And there are not many novels that have ever made me feel like that. And if I am honest it was the same with all of the characters in this novel. Particular favourites included Lucrezia (it was SO nice to see her written as she would have been, rather than a scheming poisoning adulteress), Juan and Pope Alexander VI. The work went into the characterisation of these men and women who actually lived all of those years ago. And you could honestly tell.

The only issue I really had was how the ending of the book seemed a little rushed. It would have been nice if more time could have been spent on Cesare's military campaigns in the Romagna. Unfortunately the story ended with Lucrezia leaving to go to Ferrara. We all know that the story goes on and we see the death of Pope Alexander, Cesare's downfall and his heartbreakingly lonely death in Viana, finishing with Lucrezia's death in Ferrara. I can't help but wonder whether Dunant will be writing a follow up to cover these events? I have to say I would love to read a novelisation about Cesare's last years. That really is my only gripe if I am honest. It just left me wanting MORE!

If you are a lover of Renaissance and Borgia history then I urge you to pick up this book. Fantastically written, excellent characterisation and a complete page turner. I shall certainly be picking up more of Dunant's works!

The Witch's Heart ~ Kings Lynn

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As I was visiting family this past weekend and wandering the high street of King's Lynn, I was reminded of a local legend. One of the main areas of interest in Kings Lynn is the Tuesday Market Place and the buildings that surround the square these days are Georgian, many of which house museums and places of interest. One of the houses is a particular talking point.

If you look up whilst walking past number 15-16 Tuesday Market Place, you will see a crude black diamond carved into red brick. Within the diamond is a black heart. There are two commonly told stories that explain just why this heart is carved above the window of this house both of which are equally as morbid as the other.

The Tuesday Market Place was used as Lynn's place of execution for centuries, and was the site of hangings as well as a number of burnings, in particular the burning of witches. Both stories link to gruesome executions conducted in the market square.

The first involves the execution of Margaret Read in 1590. Margaret was found guilty of witchcraft and sentanced to burn within the market place, and as the flames engulfed her body it is said that her heart burst from her chest and smashed into the spot above the window where the diamond is now carved. The organ is then said to have fallen to the ground and rolled away where it sunk into the river Ouse. Gnarly eh?

The second tale involves treachery and is particularly heartbreaking. No pun intended. A housemaid let slip to her lover that her recently widowed mistress had agreed to leave her the entire family fortune. Said lover agreed to marry the young housemaid and she wrote her own will entirely in his favour. Shortly after the mistress was conveniently murdered and the housemaid was found guilty of treachery - the crime of petty treachery involved a woman murdering her husband or a female servant murdering her master or mistress, and the punishment for such a crime was being burned at the stake. The maidservant kept on insisting that she was innocent, right up until the moment the flames were lit and as she began to burn foretold that as a symbol of her innocence her heart would burst from her chest. As her body was consumed by the flames it did just that and smashed into the site of the heart in the diamond. The diamond was carved in the very spot where the heart hit and left it's gory blood stains.

Quite a sordid tale is it not? There are various versions of the story, all using different methods of execution but all with the same end. A heart bursting from the chest of a condemned woman. I have no idea whether any of these legends are true, indeed the only information I could find online was regarding the legend, and the tales I had heard growing up. A brief search online for the "Witch's Heart of Kings Lynn" should give you more information, or indeed a trip to Lynn if you ever get the chance. True or not, the story is particularly gruesome whichever way you look at it, and one that has stuck with me since I was a little girl.


"Like A Cup Of Champagne Before Victory" Interview with Ana Ularu from "The Borgias"

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I am incredly honoured to host an interview with Ana Ularu whio played Charlotte D'Albret in "The Borgias". The interview was conducted by my dear friend Dragos Moldoveanu of Asociaţia „Institutul pentru Studii Renascentiste” (The Institute of Renaissance Studies Association – AISR) and kindly translated into English for Loyalty Binds Me. 


The Romanian actress Ana Ularu (born 1985), playing Charlotte d` Albret in the third (final) season of the historical TV series The Borgias (2011 - 2013), answered a couple of our questions.

Cinema fans know Ana Ularu from the drama movie “Periferic” (2010), directed by Bogdan George Apetri, a movie that brought her multiple local and international awards, as well as other productions like “O vară foarte instabilă” (“A very uncertain summer”) and “Sunt o babă comunistă” (“I'm a communist old woman”), both released in 2013. This year, Ana Ularu will star in the movie “Serena”, along with Jennifer Lawrence and Bradley Cooper, and also in “Thursday”, together with her partner from The Borgias, François Arnaud.

Dragoș Moldoveanu:First of all, I would like to thank you for answering the invitation launched by Asociaţia “Institutul pentru Studii Renascentiste” (The Institute of Renaissance Studies Association) to talk about your role as Cesare Borgia's wife. It's a privilege to interview you. Both your fans and historical productions enthusiasts had the pleasure of watching you in The Borgias series. The Borgia dynasty, whose amazing chronicle is described in the TV series produced by Showtime, is one of the illustrious families of the Renaissance. Before broadcasting the show, what was your knowledge about this fascinating Renaissance family?

Ana ULARU: Having finished Cervantes High School, I have studied extensively the history of Spain and I have encountered a brief tangential discussion about the two popes the Borgia family offered to the Vatican. But, obviously, the pop-culture recorded especially the bloody facts and the fascinating figure of Lucrezia. What I had read about them disappeared somehow under a multitude of other readings, so, it was very pleasant to start document myself and learn all sorts of information about them and especially about Charlotte d'Albret. I found out that Her Majesty Queen Anne is one of the descendants of Cesare's marriage with Charlotte, House of Bourbon-Parma... I hope I'm not wrong though.

Dragoș Moldoveanu:You anticipated the next question regarding the historical documentation. You played, in the Showtime TV series, the duchess Charlotte d'Albret, the wife of Cesare Borgia, son of Alexander the Sixtus, the Supreme Pontiff. Therefore, how did you document yourself for the role?

Ana ULARU: I read everything I could find about Charlotte, I searched her portraits, I worked with a choreographer for the ball scene and I discussed some small technicalities about wearing the costume with Gabriella Pescucci, the show's brilliant costume designer. I also had a very short meeting with a dialect coach for the accent. As I`m speaking French, it was quite easy to include specific musicality and phrasing elements in her accent.

Dragoș Moldoveanu:You declared, a while ago – I am now quoting from memory –, that “nothing is more depressing for an actor than to stay home and not receive calls”. How did you react when you were called about a part in “The Borgias”?

Ana ULARU: The story was much more pleasant than just a phone call. I was going to London to audition for another project, when I received an email with several text pages for one more audition. After long preparations for the first one, I only had couple of hours before leaving for the second audition, which proved to be the ball scene from my episode. I was very happy to find out that I got the part. Then, it followed the preparation period, trips to Budapest to try on the costumes and all the beautiful rituals from an actor's life.

Dragoș Moldoveanu:How would you describe the relationship between the two historical characters Charlotte d'Albret and Cesare Borgia, as it was presented in the episode “The Wolf and the Lamb”?

Ana ULARU: We decided along with François (n.n. - Cesare Borgia) and Kari Skogland, the director, that, although it was a marriage of convenience that served Cesare to obtain an army for a counterattack, it would be very interesting to exist an attraction between the two of them, the kind of attraction between two young, powerful, intelligent and with sense of humor characters. It was already established that young noble women can have absolutely disastrous arranged marriages, so Charlotte is fortunate to have a handsome and intelligent young man destined, to whom she can negotiate clearly and open her preferences. She refuses to live in Rome, she hates the excessive idealization of love and she understands somehow his affection to someone else, even though she doesn't know who is the object of this affection. It is decided in my episode that the Holy See can grant the papal Bull for divorce, and they remained married until Cesare's death (despite his impressive count of illegitimate children). Therefore, we created together a relationship with humor and fireworks, and Charlotte was like a cup of champagne before victory.

Drago
ș Moldoveanu:Most scenes were filmed along with François Arnaud, the Canadian actor who played the famous Cesare Borgia. Personally, I was impressed by the interpretation of the wedding night scene. How would you describe the collaboration with François Arnaud? What other actors have you met on the set?

Ana ULARU: François is a very talented actor and a great partner, and, after two projects together, I can truly say that I won a beautiful friendship. We are born a few days apart from each other, we have a similar sense of humor, we always had either a tacit understanding of the direction that we want to offer to a scene, either interesting discussions about the dynamics of our characters (from both movies). I love working with François, I feel very free to improvise, to discover interesting aspects in a scene. It was also pleasant because, on the set, I was reunited with Sean Harris (playing Micheletto) with whom I became friends and I collaborated on “Serena”, Susanne Bier's movie, a great actor, also David Johnson, a DOP with whom I worked three times in videos directed by WIZ (Magnetic Man and Hurts), Thure Lindhart (playing Ruffio), who was a jury member for the Shooting Stars in 2012. I was left with a great memory, I worked with a great team and I felt appreciated and spoiled even if my presence there was short.

Dragoș Moldoveanu:What was the greatest moment you lived on the set?

Ana ULARU: The entire experience was excellent. The ball scene remains a very difficult, in terms of logistics, but very pleasant, it`s a negotiation and a very interesting explorationto play. The wedding night scene was another beautiful moment, a scene so simple and tender, a dialogue, a moment of relaxation for both characters. I think the most fun I had during the choreography lessons.

Dragoș Moldoveanu:Thank you once again for your kindness and I am looking forward to your next movies during this year. I hope your phone will ring often and you will conquer the Romanian and European public with as many roles as possible!

This interview was conducted by Dragoş Moldoveanu, President of Asociaţia „Institutul pentru Studii Renascentiste” (The Institute of Renaissance Studies Association – AISR), and translated into English by Andrei Jitaru, Vicepresident of AISR.


I swear I'm still alive...

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I must apologise for my horribly long absence recently. Rest assured I haven't forgotten any of you and will be back posting historical awesomeness soon.

~ Sam

Not historical....

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This is something very unlike my normal posts. But given a few things I've been through these past weeks I think it's important I take the time to say something.

If any of my readers are going through any form of depression or mental illness, in the words of the bloggess - depression lies. It truly is a horrid thing to go through and trust me I've been there. Hell, I'm there right now dealing with a mixture of drugs to help me through whatever the hell my brain thinks it's up to these days.

Depression is horrible. It makes you feel worthless. It makes you feel that you don't deserve anything but let me tell you. You are worth it. And you are beautiful.

If I can get through this - although with myself the struggle is very much ongoing - then so can you.

Depression tells you lies about yourself. Please try to remember that you aren't useless like your head says, that you are worth it and that you are beautiful. You're worth everything.

I am hoping to return to more historical based blog posts soon but there will also be some non historical stuff coming up. I'd say I'm sorry. But I'm really not.

Have a picture of a hamster.




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